Beginning with a review of the stock character types in the theatre of antiquity and Commedia dell’ Arte, the class will trace the evolution of more nearly “realistic” characters, sets, special effects, lighting, and stage designs, until we encounter a revolt against them in modern theatre. Masterpieces of English drama and concurrent European plays will be examined as acting scripts, not only as literary masterpieces. Social and cultural conditions will also be considered as students read Shakespeare, Wycherley, Sheridan, Molière, Racine, Büchner, Chekhov, Ibsen, and Pirandello. Also listed as THEA 361. (Group III)